Hardline
is back with their long awaited third album Leaving The End
Open. Listeners of my radio show 'Purrfect Timing' know how
much I love this band, but they also know I am always honest
in my reviews, so this time will be no different.
Hardline was formed in the early 1990s by brothers Johnny and
Joey Gioeli, and with Journey's Neal Schon released Double Eclipse
which is still considered to be a classic of the melodic rock
era. Hardline II was released a decade later to mixed reviews,
although I have always considered it to be a very good album.
Flash ahead seven years later, and Johnny Gioeli's vocals are
as powerful and melodic as ever.
For the first time, Joey Gioeli is not on a Hardline album and
his presence is missed. Josh Ramos is still on lead guitar,
and he continues to energize the songs with melodic, edgy and
intricate guitar work, as well as co-writing most of them. Michael
T. Ross on keyboards is truly an amazing addition to this band
as the piano playing on this album has given the songs a feeling
that would not be there without him.
Johnny Gioeli once gave an interview which has proven to be
quite telling... "I want to get back to my roots when I
was making music just to make music...I think I'm looking more
to the rock/pop and big ballad kind of sound. Something a bit
different from what people are used to me doing." And with
Leaving The End Open he's done it - this is a powerful and expressive
album with a mix of melodic hard rock and ballads.
The first track "Voices" delivers the message and
it's coming from a good place - it's a 'positive, jump as high
as you can' kind of song and it lets you know what to expect,
coming on strong with some heavy guitar riffs and those great
edgy vocals that break into a progressive melodic chorus - and
it just gets better every time you listen. There's an almost
seamless transition to "Falling Free", which also
has a more modern, up-tempo sound to it. The percussion and
guitars run an electric current through the chorus...with the
promise of freedom in the distance... "so take a breath
and let's take a ride, tear down the walls you hide behind."
The minute you hear "Start Again" you'd know this
was Hardline because it's their classic ballad style...it shows
a love that's slipping away, the need to heal wounds and a belief
that you can find happiness after heartbreak. The guitar solo
here is as captivating as the starry night described in the
song. Next is an edgy, contemporary track "Pieces of Puzzles"
that might throw you for a second or two - it comes off rough
but get into it and you'll find a smoother melodic vocal and
traditional AOR guitar lines hidden inside.
"Bittersweet", with its harmonies and soulful guitar
work really lets the lyrics breathe...again, a love on the edge
of a cliff, wondering if it can be saved or if it's just a fragile
memory that couldn't last. This song was so reminiscent of Neal
Schon's guitar style that I almost double checked the liner
notes. Josh Ramos has infused this song with a feeling that
is typically unique only to Journey.
"She Sleeps In Madness" has an edge to it but it didn't
have quite the strength and melodic quality of some of the other
tracks, so I felt it didn't flow as well in this album. "In
This Moment", with the simplicity of its beautiful lyrics
and piano, may possibly be one of the best ballads I've heard.
It leads into what was one of the biggest surprises on this
album, "Give In To This Love." This is a progressive,
hard rockin' piece with an absolutely headbanging quality to
it in some parts. It's got a heavier, deeper groove but is still
full of melodic vocals, and I should warn you it's absolutely
addictive.
"Before This" has more traditional melodic elements
and the guitar riffs really play off the lyrics well. There's
a cutting edge to this song that perfectly leads into the next
track, "Hole In My Head", which has that growl in
Johnny's vocals that I like so much and a bassline that really
makes the song. There's a wicked roughness to this one, and
an aggressiveness that really seems to flirt with the dirty
groove from Double Eclipse.
I started out this review saying I wouldn't make comparisons
to the first album, but for the title track I will make an exception
- "Leaving The End Open" is absolutely as lyrically
powerful as "In The Hands Of Time." This song turned
out to be my favorite track on Leaving The End Open and I can't
deny that's largely because of the power and feeling in Johnny's
voice. It is a soaring vocal and lyrical piece that reveals
the heart of this album. The brilliance of the piano and guitar
work just flows through, opens up and crashes against any resistance
you could give to the feeling this song creates.
It seems like every time I hear music from Hardline, I find
myself liking them even more. I think it's because guys like
Johnny Gioeli just keep getting better, always revealing more
depth to their character, as well as more vocal ability because
he is not afraid to explore. But he didn't make this album alone
- far from it. Although he is the heart of this band, Josh Ramos
and Michael T. Ross have added a depth and a power to it; they
are wholeheartedly infused into these songs.
The songs on Leaving The End Open may take you a few spins to
fully appreciate all they have to offer, but then they become
positively addictive. For those of you who have been into either
more classic rock or even heavier metal, you will probably find
yourself exploring more melodic rock after this. So just press
play, shift into drive and head into the melodic horizon.
Track
List:
01. Voices
02. Falling Free
03. Start Again
04. Pieces Of Puzzles
05. Bittersweet
06. She Sleeps In Madness
07. In This Moment
08. Give In To This Love
09. Before This
10. Hole In My Head
11. Leaving The End Open
Band:
Johnny Gioeli - vocals
Josh Ramos - guitars
Jamie Browne - bass
Atma Anur - drums
Michael T. Ross – keyboards
Production:
Produced by Bob Burch. Engineered by Bob Burch, Paul Miner and
Barrett Slagle.
www.myspace.com/hardlinerocks
- www.frontiers.it
Reviewed by Purrfect
Timing's Allee Martell for www.sleazeroxx.com May 2009.
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